tag:blogger.com,1999:blog-12657776937628748282024-03-20T07:22:08.218+00:00Future Urban NetworksMikeAlinghttp://www.blogger.com/profile/16592720444838019583noreply@blogger.comBlogger245125tag:blogger.com,1999:blog-1265777693762874828.post-16598802958806286162019-11-07T13:35:00.002+00:002019-11-07T13:35:48.094+00:00Sensorium and Synthetic Space @ SUSAS<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "arial" , sans-serif; font-size: 12.0pt;">Sensorium and Synthetic Space</span></b></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">5</span><sup><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">th</span></sup><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;"> October 2019 > 30<sup>th</sup> November
2019</span><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;"> </span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">Venue > Room 204, Green Hill, 1500 Yangshupu Road, Yangpu District,
Shanghai, China (</span><span lang="KO" style="font-family: "malgun gothic" , sans-serif; font-size: 10.0pt;">上海市</span><span lang="KO" style="font-family: "pmingliu" , serif; font-size: 10.0pt;">杨</span><span lang="KO" style="font-family: "malgun gothic" , sans-serif; font-size: 10.0pt;">浦</span><span lang="KO" style="font-family: "ms mincho"; font-size: 10.0pt;">区</span><span lang="KO" style="font-family: "pmingliu" , serif; font-size: 10.0pt;">杨树</span><span lang="KO" style="font-family: "malgun gothic" , sans-serif; font-size: 10.0pt;">浦路</span><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">1500</span><span lang="KO" style="font-family: "ms mincho"; font-size: 10.0pt;">号</span><span lang="KO" style="font-family: "pmingliu" , serif; font-size: 10.0pt;">绿</span><span lang="KO" style="font-family: "malgun gothic" , sans-serif; font-size: 10.0pt;">之丘</span><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">204</span><span lang="KO" style="font-family: "malgun gothic" , sans-serif; font-size: 10.0pt;">室</span><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">)</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">Tuesday to Friday </span><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">14:00 > 20:00</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">Saturday, Sunday and
Legal Holidays 10:00 > 20:00</span></div>
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<span style="color: #e06666;"><span style="font-family: "arial" , sans-serif; font-size: 10.0pt;">Monday Closed for Maintenance </span></span></div>
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<span style="background-color: #444444;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaI78YhllD6pDKezcnyrG5OyteWUuMjeG67b1moClZWfxu6P4iNLuVQTpz61UKjdu8hdmsUNx0xAOQlAZfIYhymFqCm5POlVe1fODBokLfYKQyST1R4fcaI14hyf_X_PvEjOHkME3tez0/s1600/Sensorium_SynthSpace_e-Flyer_S.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="918" data-original-width="1600" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaI78YhllD6pDKezcnyrG5OyteWUuMjeG67b1moClZWfxu6P4iNLuVQTpz61UKjdu8hdmsUNx0xAOQlAZfIYhymFqCm5POlVe1fODBokLfYKQyST1R4fcaI14hyf_X_PvEjOHkME3tez0/s400/Sensorium_SynthSpace_e-Flyer_S.jpg" width="400" /></a></span></div>
<br />
<div class="Default">
<span style="background-color: #444444;"><span style="color: #e06666;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Sensorium</span></b></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default">
<span style="background-color: #444444;"><span style="color: #e06666;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Curated
by Nic Clear, Hyun Jun Park, Jun Yeol Lee, Yuhao Liu</span></b></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default" style="text-indent: 36.0pt;">
<span style="background-color: #444444;"><span style="color: #e06666;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The <i style="mso-bidi-font-style: normal;">Experiment</i> series of research
exhibitions presents a polemical, provocative and visionary transdisciplinary approach
to architectural and spatial practice delivered through international
exhibitions, symposiums and publications. Participating architects, designers, and
artists use speculative narratives to create, develop and represent innovative
architectural and spatial ideas through an exploration of digital media.</span></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default" style="text-indent: 36.0pt;">
<span style="background-color: #444444;"><span style="font-family: "Calibri",sans-serif; font-size: 11.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Malgun Gothic"; mso-fareast-language: KO; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">T<span style="color: #e06666;">he second manifestation of <i style="mso-bidi-font-style: normal;">Experiment</i> is ‘<span style="mso-bidi-font-style: italic;">Sensorium’</span>,
which explores aspects of the cognition and perception of space in architectural
and spatial practice through the use of digital technologies that allow
architects, artists and designers to challenge their disciplinary boundaries. </span></span>
</span><style><span style="background-color: rgb(68, 68, 68);">
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</span></span><div class="xmsonormal" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; margin: 0cm 0cm 0.0001pt; text-indent: 36pt;">
<span style="background-color: #444444;"><span style="color: #e06666;"><span style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The exhibition offers an opportunity to showcase speculative spatial
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drawings, films, animations and interactive installations, the contributors
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boundaries.</span></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="xmsonormal" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; margin: 0cm 0cm 0.0001pt;">
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<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background-color: #444444;"><span style="color: #e06666;"><span style="mso-bidi-font-weight: normal;">Nic Clear, Hyun Jun Park,
Brass Art, Neil Spiller, Factory Fifteen, Marko Jobst, Marko Millic, Shaun
Murray, Rahesh Ram, Sarah Allan, Yorgos Loizos, Perry Kulper, Bryan Cantley,
eyetry, Jun Yeol Lee, Woojong Kim, Jiyoon Bae, Yuhao Liu</span></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="xmsonormal" style="background-attachment: scroll; background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; margin: 0cm 0cm 0.0001pt;">
<br /></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default">
<span style="background-color: #444444;"><span style="color: #e06666;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Synthetic
Space</span></b></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default" style="text-indent: 36.0pt;">
<span style="background-color: #444444;"><span style="color: #e06666;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">For Synthetic
Space Nic Clear and Hyun Jun Park selected and scanned three iconic sites in
Huddersfield: Castle Hill, Queensgate Market and the Railway Station. Clear and
Park manipulated the scan data to represent and explore these familiar spaces
in unique ways through the production of images, animations and drawings. </span></span></span></div>
<span style="background-color: #444444;"><span style="color: #e06666;">
</span></span><div class="Default">
<span style="background-color: #444444;"><span style="color: #e06666;"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The ability to manipulate the ‘point-cloud’ data allows Clear and
Park to create synthetic spatial models that exist between the virtual and the
actual and combine the ‘measured, the ‘experienced’ and even the ‘practiced’ in
a way that no other form of spatial mapping is capable of. </span></span></span></div>
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</span></span>
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</style>Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-59877590960526304312019-11-07T13:04:00.000+00:002019-11-07T13:36:10.252+00:00The Persistence of Utopia<br />
<br />
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<b style="mso-bidi-font-weight: normal;">The Cosmia Festival
and the School of Art Design and Architecture</b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;">The Persistence of Utopia</span></b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;">Exhibition – Market
Gallery, Huddersfield HD1 2UH</b></div>
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<b style="mso-bidi-font-weight: normal;">The Persistence of Utopia</b></div>
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<b style="mso-bidi-font-weight: normal;">23<sup>rd</sup>
October – 9<sup>th</sup> November 2019</b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;">Curated by:</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;">Nic Clear</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;">David Smith</span></b></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4leRzYv2H6eHnKviO1b5g44WGJItD7p4ZEEelW1pNLCdcZQ83Tf82mZxhxub391-qzHIejlWVBcU7PI3vMDrdY2Xm2A-3D4rIsuBotukWeZf4BUidVTfgDrgf0sKciEqAPzkDa9AIhI/s1600/Flyer_%255BFINAL%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="842" data-original-width="1191" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4leRzYv2H6eHnKviO1b5g44WGJItD7p4ZEEelW1pNLCdcZQ83Tf82mZxhxub391-qzHIejlWVBcU7PI3vMDrdY2Xm2A-3D4rIsuBotukWeZf4BUidVTfgDrgf0sKciEqAPzkDa9AIhI/s400/Flyer_%255BFINAL%255D.jpg" width="400" />
</a></div>
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<span style="color: #e06666;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;">Exhibitors:</span></b></span></div>
<span style="color: #e06666;">
</span><br />
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<span style="color: #e06666;"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;">Stella Baraklianou, Nic Clear, Claire Diggle, Danilo
Di Mascio, Factory Fifteen, Donal Fitzpatrick, Roddy Hunter, Marko Jobst,
Spyridon Kaprinis, Sara Nesteruk, Hyun Jun Park, Christian Peterson, Andrew
Taylor, Matthew Taylor, Katrina Whitehead, Simon Woolham.</span></b></span></div>
<span style="color: #e06666;">
</span><br />
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<br /></div>
<span style="color: #e06666;">
</span><br />
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<span style="color: #e06666;"><span style="font-size: 10.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">At a time when society appears to be in a
state of continual crisis, political and ecological, and there are deep
divisions over which direction our futures should take, the concept of utopia may
seem to be naïve, idealistic and irrelevant. However, in opposition to this
sense of despondency the Utopian impulse persists across contemporary cultural
practice, taking many forms from text, fine art, architecture, the moving image
and interactive arts.</span></span></div>
<span style="color: #e06666;">
</span><br />
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<br /></div>
<span style="color: #e06666;">
</span><br />
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<span style="color: #e06666;"><span style="font-size: 10.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The works exhibited in ‘The Persistence of
Utopia’ represent the diversity of practices across the School of Art Design
and Architecture and involve a variety of media, from painting, illustration,
photography, video and animation to architectural models and collages. The
exhibition examines how the Utopian imagination is developed particularly in
relationship to ideas of the ‘everyday’. The work explores a number of
perspectives on utopian and dystopian thinking and counteracts the wider negative
context with subtle humour and a critical affirmation of difference.</span></span></div>
<span style="color: #e06666;">
</span><br />
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<br /></div>
<span style="color: #e06666;">
</span><br />
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<span style="color: #e06666;"><span style="font-size: 10.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Persistence of Utopia is produced in
association with the </span><span style="font-size: 10pt;">Cosmia Festival,</span><span style="font-size: 10pt;"> a new arts festival, based in Huddersfield, dedicated to Science
Fiction, Fantasy and Speculative Fiction. The first festival takes place from 25
October-to 3 November 2019.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4leRzYv2H6eHnKviO1b5g44WGJItD7p4ZEEelW1pNLCdcZQ83Tf82mZxhxub391-qzHIejlWVBcU7PI3vMDrdY2Xm2A-3D4rIsuBotukWeZf4BUidVTfgDrgf0sKciEqAPzkDa9AIhI/s1600/Flyer_%255BFINAL%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><style>
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</style>Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-22519611900564241312019-10-03T05:00:00.000+01:002019-10-03T05:00:58.341+01:00What is radical today? 40 positions on architecture.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ1QxvBnAkDip63yh_aJDObISn-kOuPjiiSJGNGSHstvZhnWppwmlMjns5tjJ2yfNJX862sffI_lju2k-uNIE4ku3wZquUQkvPSfCyTUXmukLAubtBenSkv5kDNq5KLFou7OsA_3yr84o/s1600/CLEAR_RA_Radical%255B72%255D+copy.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="842" data-original-width="1191" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ1QxvBnAkDip63yh_aJDObISn-kOuPjiiSJGNGSHstvZhnWppwmlMjns5tjJ2yfNJX862sffI_lju2k-uNIE4ku3wZquUQkvPSfCyTUXmukLAubtBenSkv5kDNq5KLFou7OsA_3yr84o/s320/CLEAR_RA_Radical%255B72%255D+copy.jpeg" width="320" /></a></td></tr>
<tr align="right"><td class="tr-caption"><span style="color: white;">Nic Clear: The Post-singularity City</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;">What is radical today? </span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;">40 positions on architecture</span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 14.0pt;">The Architecture Studio, The
Dorfman Senate Rooms, Burlington Gardens, Royal Academy of Arts</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 14.0pt;">6 Sep — 7 Nov 2019</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: #e06666;">Featuring:</span></div>
<span style="color: #e06666;">
</span><div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="color: #e06666;"><span style="font-family: "Calibri", sans-serif;">Aaron Betsky and Jan Sobotka, Adam Nathaniel Furman , Alberte
Lauridsen, EDIT, Andrea Branzi, Anna Heringer, Ateliermob, Bernard Khoury, Céline
Baumann, Counterspace, Denise Scott Brown, Dong-Ping Wong with Virgil Abloh, Francis
Kéré, Gaetano Pesce<br />
Giorgia Scognamiglio and Lorenzo Zandri, Unsent Postcard, Guillermo López, MAIO,
We Made That, Ian Ritchie RA, Izaskun Chinchilla, Jack Self, REAL, Janette Kim,
Urban Works Agency, Kate Macintosh, OFFICE Kersten Geers David Van Severen, Liza
Fior, Lucy McRae, Maria Smith, Interrobang, Mark Foster Gage, Matilde Cassani, Gramazio
Kohler Research, Nic Clear, Patrik Schumacher, Zaha Hadid Architects, Paul
Allen and CJ Lim, Studio 8 Architects, Peter Cook RA, Phineas Harper, Public
Works, Sam Jacob, Sevince Bayrak and Oral Goktas, SO?, Stephanie Macdonald and
Tom Emerson, 6a architects, Teddy Cruz and Fonna Forman, Virginia San Fratello
and Ronald Rael,Xu Tiantian, DnA Design and Architecture.</span></span></div>
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</style>Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-77180833762182836292019-02-15T16:53:00.000+00:002019-02-15T17:05:05.374+00:00Synthetic Space (video)<div class="separator" style="clear: both; text-align: center;">
<img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDsZ0h5W0ZW4vkDsD5Ol0j-NJzoG4YP__ijhOBjNET5IUqv2aImZ_UnhCMN8StqI2xuH3HvjYPYC18-7zTE0Bg53XQJketcd8Gx2-f5AIEIDsDwtLP_AAnfloDDulvSbR3WkxXhS6QP1Q/s320/Screen+Shot+2019-02-15+at+16.38.52.png" width="320" /> </div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://vimeo.com/317507938" target="_blank">Installation video (edit)</a></span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
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<br /></div>
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<span style="font-size: 9.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Nic Clear and Hyun Jun Park have selected and
scanned three iconic sites in Huddersfield: Castle Hill, Queensgate Market and
the Railway Station. They have manipulated the scan data to represent and
explore these familiar spaces in unique ways through the production of images,
animations and drawings, and in doing so expand the possibilities of
contemporary spatial representation.</span></div>
<div class="MsoNormal">
<span style="font-size: 9.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The information produced by the scans is
highly technical and yet the images themselves evoke a much more speculative
response to the sites, and when used in combination with other techniques it
facilitates both an extremely precise mapping of the spaces as well as the
opportunity to develop narratives around the spaces that engage with a wider
set of ideas and values. The ability to manipulate the ‘point-cloud’ data
allows Clear and Park to create synthetic spatial models that exists between
the virtual and the actual and combine the ‘measured, the ‘experienced’ and even
the ‘practiced’ in a way that no other form of spatial mapping is capable of. </span></div>
<div class="separator" style="clear: both; text-align: center;">
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<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-26169377692483583052019-02-10T11:50:00.000+00:002019-02-10T11:50:24.210+00:00Synthetic Spaces (images)<h3>
<u><span style="font-family: "arial" , "helvetica" , sans-serif;">Chronograms</span></u></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmdJ5Kbz8i78hhNBdrLchF2qQx0RkrDZFyB3YxgEHv3rI945dlgbouD1qHhBxJnQvtQMeW1Qo4yLRE9bK_h1sRmo1zpkTG5qhg6A2t2DlxSEQyW6wp3S8vnBgDlnmyLVrZjfeuJ82Stn0/s1600/CH_001.jpg" imageanchor="1"><img border="0" data-original-height="777" data-original-width="1600" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmdJ5Kbz8i78hhNBdrLchF2qQx0RkrDZFyB3YxgEHv3rI945dlgbouD1qHhBxJnQvtQMeW1Qo4yLRE9bK_h1sRmo1zpkTG5qhg6A2t2DlxSEQyW6wp3S8vnBgDlnmyLVrZjfeuJ82Stn0/s320/CH_001.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"> Castle Hill Chronogram: Spiral Tracking Shot</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdsrwcnlXzI38UjEc6Qd-zPUglBlihm78Nznk8lRyZdO4clVTVO1ai1TSQKuLlwqGXOjAMwUmZ9Jgc4n5Jmr1qop4sA_BKQ1m32OXaQMIudcAQoHn5LgUVO1d9MwFSoETls0g8ZuPUog/s1600/QM_001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="778" data-original-width="1600" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJdsrwcnlXzI38UjEc6Qd-zPUglBlihm78Nznk8lRyZdO4clVTVO1ai1TSQKuLlwqGXOjAMwUmZ9Jgc4n5Jmr1qop4sA_BKQ1m32OXaQMIudcAQoHn5LgUVO1d9MwFSoETls0g8ZuPUog/s320/QM_001.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"> Queensgate Chronogram: Exterior Pan</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkZIv_BuQBbOO_a7QKjWItOCPvODKJQI_kEb46UmYvaOMmxU00eQS6fosCf8_6-QCACTnNKMBxJMAfCGIqipHc41iDPQ1_eyg16OJNufRG_tuaJjltE1bjfyMiIntbAkDjRakVdxLtPs4/s1600/QM_002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="777" data-original-width="1600" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkZIv_BuQBbOO_a7QKjWItOCPvODKJQI_kEb46UmYvaOMmxU00eQS6fosCf8_6-QCACTnNKMBxJMAfCGIqipHc41iDPQ1_eyg16OJNufRG_tuaJjltE1bjfyMiIntbAkDjRakVdxLtPs4/s320/QM_002.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;">Queensgate Chronogram: Exterior Tracking Shot</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFMgY479nTswFCS3QIKhgGbzDBOfDEUYB1Z7Qh_zVdsU9gEvXERpxsisznokH3NzvqtG3xSExBfGuRhmP-pP1SJwI4vUJH-c4j15heQ8LWywVxmJgVbLsZOE6e2mRdHRAY578N810uny4/s1600/RS_001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="775" data-original-width="1600" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFMgY479nTswFCS3QIKhgGbzDBOfDEUYB1Z7Qh_zVdsU9gEvXERpxsisznokH3NzvqtG3xSExBfGuRhmP-pP1SJwI4vUJH-c4j15heQ8LWywVxmJgVbLsZOE6e2mRdHRAY578N810uny4/s320/RS_001.jpg" width="320" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: x-small;"> Railway Station Chronogram: Exterior Pan</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGts1AKJH4NLkhyphenhyphenimcqdWhBzr6wTRIRyQ_91tQTRRgXVa1cEdAOO_MRhCdlTUW8KkI1Jsm5YHcrt85EG5V5XqbbHc3oxqWVdVyildbgfDqwbzJQ1gY8YobDVGf81bvKAs2QQE1oDcBCuk/s1600/RS_002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="1600" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGts1AKJH4NLkhyphenhyphenimcqdWhBzr6wTRIRyQ_91tQTRRgXVa1cEdAOO_MRhCdlTUW8KkI1Jsm5YHcrt85EG5V5XqbbHc3oxqWVdVyildbgfDqwbzJQ1gY8YobDVGf81bvKAs2QQE1oDcBCuk/s320/RS_002.jpg" width="320" /><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;"> </span></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: x-small;">Railway Station Chronogram: Exterior Tracking Shot</span></span></div>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-67536442639869793072019-02-10T11:37:00.001+00:002019-02-10T11:57:11.175+00:00Synthetic Spaces (contd)<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOOHpM_FmELcnnV-C0WtBmlgE9oh9vfhnXlm06v_xHAt5DJC4ch7cbwQrq_LRt6gQ-TgC-BHUrAivySDowdWElFLoITpBNWsAf-0ZglSe6UO8IWr4QZxaZQKoyn4gFbFctAZkNRjHqKII/s1600/CLEAR_SyntheticSpace01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Installation Views</span></span></a></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhaZjkhp82oo28FBQkA6hZm1X51hx3CCXtMiZ3jwehzOqXjVRCrZkxBXXSW_4dbNldTWqan_yJCPSpJFkLna0pE6rIb27rxhm7WA7Xe-GyiQ4oAcWmbiVnVG61OUQszAuob3nr7l-BwY/s1600/CLEAR_SyntheticSpace01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhaZjkhp82oo28FBQkA6hZm1X51hx3CCXtMiZ3jwehzOqXjVRCrZkxBXXSW_4dbNldTWqan_yJCPSpJFkLna0pE6rIb27rxhm7WA7Xe-GyiQ4oAcWmbiVnVG61OUQszAuob3nr7l-BwY/s320/CLEAR_SyntheticSpace01.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYhNqS_c8dymyQshBOaHz0piwxXtVqrWc23th-0B9O9h9JrpXLEwLH4pWeCfpXtXGiShG_vqKUa86ZcFPKr7P7-dqqnLA4FuNAXYyW8BXLno3rQFszUKj3ICSLJfrbvZnZER5RACUOFlc/s1600/CLEAR_SyntheticSpace05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYhNqS_c8dymyQshBOaHz0piwxXtVqrWc23th-0B9O9h9JrpXLEwLH4pWeCfpXtXGiShG_vqKUa86ZcFPKr7P7-dqqnLA4FuNAXYyW8BXLno3rQFszUKj3ICSLJfrbvZnZER5RACUOFlc/s320/CLEAR_SyntheticSpace05.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Tj-ZWU9vHkdqd_I5BWFwTwPUXwIFhJaecnu4FgsvOseR-ifSBrqdrOsXL1Zl5NhL-NmeGQQgM7sLdwEl-HsNhZTPSIDMSP9xbkHhJ6p6up9Z4_YYBaeL4crJEMkTPFYiYyo19NbD4mU/s1600/CLEAR_SyntheticSpace04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Tj-ZWU9vHkdqd_I5BWFwTwPUXwIFhJaecnu4FgsvOseR-ifSBrqdrOsXL1Zl5NhL-NmeGQQgM7sLdwEl-HsNhZTPSIDMSP9xbkHhJ6p6up9Z4_YYBaeL4crJEMkTPFYiYyo19NbD4mU/s320/CLEAR_SyntheticSpace04.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU1jDM2r41ywlYAJoHUsVR43HU-fYTiw4GV6IYlH8PuqzDGvyKNXBWXo0m7HgihJImGZG8zvv7oXHTMNh8AiD4hCMQsm6CzBGVAfKNa6qgGdRhzbQDU1SMuEv8ccoPlGMk5ahazGupKNw/s1600/CLEAR_SyntheticSpace06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU1jDM2r41ywlYAJoHUsVR43HU-fYTiw4GV6IYlH8PuqzDGvyKNXBWXo0m7HgihJImGZG8zvv7oXHTMNh8AiD4hCMQsm6CzBGVAfKNa6qgGdRhzbQDU1SMuEv8ccoPlGMk5ahazGupKNw/s320/CLEAR_SyntheticSpace06.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXtBQrBUXIVLSS1MEtvpxZ_O6V_3tihusOm_H9JABJgP2m4vkdDVpFHtHqZxTzF8RCjNT5h-hKwEve6ZmNgp5BpryF9sP77onzcAgQJNhlW9RFPG8lhbI0AFLspeYCq87HDjzrkp_Cmho/s1600/CLEAR_SyntheticSpace03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXtBQrBUXIVLSS1MEtvpxZ_O6V_3tihusOm_H9JABJgP2m4vkdDVpFHtHqZxTzF8RCjNT5h-hKwEve6ZmNgp5BpryF9sP77onzcAgQJNhlW9RFPG8lhbI0AFLspeYCq87HDjzrkp_Cmho/s320/CLEAR_SyntheticSpace03.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHI23kSwqwniOr8nr65N5ftYxbnaVM9VMJqL_nHpZ6YthVicOhyphenhyphen8S1ST1jdglxrXw-jQ0H3P9j_PcPiwghOJyZa_yhVpM4jQ3MlTyKrAistRsVhRi2L-41AU8kre3iAnYufKPcU18CD4g/s1600/CLEAR_SyntheticSpace08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHI23kSwqwniOr8nr65N5ftYxbnaVM9VMJqL_nHpZ6YthVicOhyphenhyphen8S1ST1jdglxrXw-jQ0H3P9j_PcPiwghOJyZa_yhVpM4jQ3MlTyKrAistRsVhRi2L-41AU8kre3iAnYufKPcU18CD4g/s320/CLEAR_SyntheticSpace08.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP3XLt86VHS4Fj9Z7X6g0YYZ_qVToLK3sjjVwWWwVOnmARsjoYcZ4nvweLem932gIvnmV33OH7XI_zO7p_znsXeS09X5nDhTGA76NVFzRvixEQMuK0wXsXLJ9SELxjV58msAgHnNqjlhg/s1600/CLEAR_SyntheticSpace02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP3XLt86VHS4Fj9Z7X6g0YYZ_qVToLK3sjjVwWWwVOnmARsjoYcZ4nvweLem932gIvnmV33OH7XI_zO7p_znsXeS09X5nDhTGA76NVFzRvixEQMuK0wXsXLJ9SELxjV58msAgHnNqjlhg/s320/CLEAR_SyntheticSpace02.jpg" width="320" /></a></div>
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<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-17748892644876511452019-01-16T18:40:00.001+00:002019-02-10T11:26:03.551+00:00Synthetic Spaces Exhibition<div class="separator" style="clear: both; text-align: center;">
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<i><span style="color: lime;"><span style="font-family: Arial, Helvetica, sans-serif;">(now extended to 4th March)</span></span></i><span style="font-size: small;"><span style="font-family: "calibri" , sans-serif;"><br /></span></span></div>
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<span style="font-size: large;"><span style="font-family: "calibri" , sans-serif;">Synthetic Spaces:</span></span><br />
<span style="font-size: large;"><span style="font-family: "calibri" , sans-serif;">The Digital Exploration of Three Sites in
Huddersfield</span></span></div>
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<span style="font-size: small;"><span style="font-family: "calibri" , sans-serif;">Professor Nic Clear and Hyun Jun Park</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">31st January – 4th March 2019</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Open Mon-Sat 11-4pm</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Exhibition Launch 12th February 2 – 5pm</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Private View 21st February 5 - 7pm <br />Market Gallery, Temporary Contemporary,</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Queensgate Market, Huddersfield HD1 2UH</span></span> </span></span></div>
<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-72626964659922684542018-11-16T21:45:00.000+00:002018-11-16T21:45:20.413+00:00Themes Forms Materials Techniques<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8if9r9jfu9RUvVN0vUehfwFgNXhcr66DESw8Kr8bxa1hpt4iNg7QWo43hrJGDlM7XwvE3v-j_rxbXFuCVtElRxKY0k7Gs2IL7pyfs4ptDEa7Za-RTq5DRRPNsooNJMrT9duhKArFO5ZA/s1600/TFMT2018_Flyer_72dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="877" data-original-width="1240" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8if9r9jfu9RUvVN0vUehfwFgNXhcr66DESw8Kr8bxa1hpt4iNg7QWo43hrJGDlM7XwvE3v-j_rxbXFuCVtElRxKY0k7Gs2IL7pyfs4ptDEa7Za-RTq5DRRPNsooNJMrT9duhKArFO5ZA/s400/TFMT2018_Flyer_72dpi.jpg" width="400" /></a></div>
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<span style="font-size: small;"><b><span>THEMES, FORMS, MATERIALS TECHNIQUES</span></b></span></div>
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<span style="font-size: x-small;"><span><span>Works in
Progress from MArch Architecture Year 3</span></span></span></div>
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<span style="font-size: x-small;"><span><span>Curated by:
Professor Nic Clear, Hyun Jun Park Vijay Taheem</span></span></span></div>
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<span style="font-size: x-small;"><span><span>MARKET
HARDWARE: Queensgate Market, Units 154 -158</span></span></span></div>
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<span style="font-size: x-small;"><span><span>Wednesday
7<sup>th</sup> November to Tuesday 20<sup>th</sup> November</span></span></span></div>
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<span style="font-size: x-small;"><span><span>Opening
Times: Mon – Fr1<span> </span>9.00 – 5.30, Sat 8.30 –
5.30</span></span></span></div>
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<span style="font-size: x-small;">The creative arts play a significant part in the UK’s
economic infrastructure and with the impending social and political
transformations that are being brought about by the implementation of greater levels
of de-industrialisation and automation the importance of creative practice is
expected to grow as we move into a more knowledge-based economy.</span></div>
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<br /></div>
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<span style="font-size: x-small;">Kirklees have identified art and culture as an important strategic
element for the future of Huddersfield and its town centre with initiatives
involving the University, local citizens and other key stakeholders. It is a
strategy that is already impacting at a number of levels from Town Planning to
site specific installations in the Queensgate Market. Huddersfield is a town
that has a history for innovation and an abundance of empty space.</span></div>
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<span style="font-size: x-small;">Currently the School of Art Design and Architecture is
working with Kirklees to develop these ideas through the ‘TEMPORARY
CONTEMPORARY’ initiative part of which is dedicated to ‘Re-Thinking
Huddersfield’.</span></div>
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<span style="font-size: x-small;">Final year MArch Architecture students have been asked to
look at how art and culture might be used as part of a wider set of spatial strategies
to encourage social transformation, create new cultural ecologies, develop new
building typologies, and to empower citizens to communicate their ambitions and
frustrations, and commemorate their successes and their tragedies.</span></div>
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<span style="font-size: x-small;">Students have drawn upon their own cultural and spatial
interests to develop meaningful projects that will facilitate their architectural
journey beyond the university and to develop a model of practice that will set
them up as designers in the 21<sup>st</sup> century.</span></div>
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<span style="font-size: x-small;">The first part of the year has been to identify tactics,
strategies, techniques and themes that will enable students to develop their
Design Thesis and present their initial concepts as part of an exhibition of
work in progress at Market Hardware in the Queensgate Market as part of TEMPORARY
CONTEMPORARY.</span></div>
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<span style="font-size: x-small;"><b> </b></span><span style="font-size: x-small;"> </span><span style="font-size: x-small;">
</span></div>
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<span style="font-size: x-small;">Nic Clear 2018</span></div>
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</style><br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-47355197527697831142018-11-12T00:08:00.001+00:002018-11-12T00:08:17.092+00:00(un)Drawing<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8aCpZNern3fvh9rd-w9x7pzT2DiljIasJH568Ef_y6yNztrxNXF2N7GOwVTNXuHTg0rNHER6jtAzmQUCeYtGHQVZev_aYxOuFZ7tzSIw30jOAzjtuFJ2lfeyWOoz7Zo8iDni4-b6Kbo/s1600/Swarm01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="851" data-original-width="851" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8aCpZNern3fvh9rd-w9x7pzT2DiljIasJH568Ef_y6yNztrxNXF2N7GOwVTNXuHTg0rNHER6jtAzmQUCeYtGHQVZev_aYxOuFZ7tzSIw30jOAzjtuFJ2lfeyWOoz7Zo8iDni4-b6Kbo/s320/Swarm01.jpg" width="320" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;"><span>When
people ask ‘what do you do?’ The answer is very simple. I draw
lines; lines, lines, lines, lines, lines. I draw lines from the front, lines
from the top, lines from the side and lines that recede into infinity. They are
good lines, fine lines, worthy lines. In the world of lines they are
tops, m-m-m-m-m-mustard.</span></span></span>
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</style><br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-22855029573533510622018-10-03T23:17:00.000+01:002018-10-03T23:17:55.833+01:00Lecture IKA Vienna<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-hV6KgT3lUU0Kn7A2tQMgeM7ly_MeLcZNepFP5IhWe0Wwh7bBq_W5LZKYx7n4gVwmMEPHhb8EeJf6qZERMEeymAqIKl3fyo0K6CuJyqOziBbxHV5cy_ASH7f6MrlRNjci-zlNwaS501Q/s1600/IKA_Lecture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1179" data-original-width="1600" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-hV6KgT3lUU0Kn7A2tQMgeM7ly_MeLcZNepFP5IhWe0Wwh7bBq_W5LZKYx7n4gVwmMEPHhb8EeJf6qZERMEeymAqIKl3fyo0K6CuJyqOziBbxHV5cy_ASH7f6MrlRNjci-zlNwaS501Q/s400/IKA_Lecture.jpg" width="400" /></a></div>
<h2 style="text-align: center;">
<span style="font-size: large;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-weight: normal;">F.U.N.: A City of Tomorrow<span><br /></span><span>08.10.2018 | 19h | IKA Augasse</span><span> </span></span></span></span></h2>
<h2 style="text-align: center;">
<span><span style="font-size: large;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-weight: normal;">Room: IKA Forum / 1st floor, core N<br />Augasse 2–6, 1090 Vienna</span></span></span> </span></h2>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-1667733689621221162018-09-25T23:19:00.000+01:002018-09-25T23:19:10.076+01:00100 DRAW-ings Lecture<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbj27ns_KOalXxdbTKguPoKjgmNWJezj1eDC9-xvyh-14kv-UWrizO4C1iSe9LVWQMw1_okQMWgiy37KCY0urPNnteRocTBN8V2Q9sxZHYVqXOsKworl3eNrj1-mNyErhEbHhAwhqfczk/s1600/100_DrawingsPoster.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1356" data-original-width="954" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbj27ns_KOalXxdbTKguPoKjgmNWJezj1eDC9-xvyh-14kv-UWrizO4C1iSe9LVWQMw1_okQMWgiy37KCY0urPNnteRocTBN8V2Q9sxZHYVqXOsKworl3eNrj1-mNyErhEbHhAwhqfczk/s400/100_DrawingsPoster.png" width="281" /></a></div>
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<span style="font-size: small;"><span style="font-family: "Eurostile", sans-serif;">Lecture by Professor Nic Clear</span></span></h2>
<span style="font-size: small;">
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<span style="font-size: small;"><span style="font-family: "Eurostile", sans-serif;">Wednesday 26<sup>th</sup> September 16.15 pm</span></span></h2>
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<span style="font-size: small;"><span style="font-family: "Eurostile", sans-serif;">Bronte Lecture Theatre<span> </span>BLG / 10</span></span></h2>
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<span style="font-family: "Eurostile",sans-serif; font-size: 14.0pt; mso-bidi-font-family: Arial;"><span style="font-size: small;">University of Huddersfield</span> </span></h2>
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</style>Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-71570302192548470382018-06-13T20:08:00.001+01:002018-07-02T21:56:48.569+01:00Chthonopolis at the Royal Academy Summer Show<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_CCZRn_FFpmpJvr_ooPQM2bjgMbrFw7LS1ChJmWrp8N7rrObmDwIA1Hu4qBdrC9TS9xPLs0Df_M2cbqHM1CWT2QgZbwiw-vkALxEUhCweEG3xEFg7Ybkj9hJoBgpGtiBnU8POaUdCJqg/s1600/IMG_0773+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1417" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_CCZRn_FFpmpJvr_ooPQM2bjgMbrFw7LS1ChJmWrp8N7rrObmDwIA1Hu4qBdrC9TS9xPLs0Df_M2cbqHM1CWT2QgZbwiw-vkALxEUhCweEG3xEFg7Ybkj9hJoBgpGtiBnU8POaUdCJqg/s320/IMG_0773+copy.jpg" width="320" /></a></div>
I am pleased to announce that the '<a href="http://unitfifteen.blogspot.com/2017/06/chthonopolis-exhibition-continues.html" target="_blank">Chthonopolis</a>' has been selected for the Royal Academy Summer Show.<br />
<br />
This follows on from the '<a href="http://unitfifteen.blogspot.com/2015/06/unitfifteen-research-gold-mine-model-in.html" target="_blank">Gold Mine</a>' which was exhibited in 2015<br />
<br />
<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-39192957410305271672018-04-09T22:51:00.002+01:002018-04-09T22:51:31.889+01:00Retrospective 2018<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv79C63JtkVvA9YI9mo1Nb4El5OS_jstXYjKBt7H689ILeJL5RNfdrqa8bfHznL9KIX-YqoWUWV8KMApgJq7XbcmWznMXx6q855WptsPfRqWySsiRDfhidRaimKKFi47uICFFrLxykFB0/s1600/Circles+72dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1418" data-original-width="1418" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv79C63JtkVvA9YI9mo1Nb4El5OS_jstXYjKBt7H689ILeJL5RNfdrqa8bfHznL9KIX-YqoWUWV8KMApgJq7XbcmWznMXx6q855WptsPfRqWySsiRDfhidRaimKKFi47uICFFrLxykFB0/s320/Circles+72dpi.jpg" width="320" /></a></div>
<span style="color: #e06666;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Retrospective 2018</span></span><br />
<span style="color: #e06666;"><span style="font-family: "arial" , "helvetica" , sans-serif;">As part of the <a href="http://unitfifteen.blogspot.co.uk/2018/04/market-hardware.html">'Market Hardware'</a> exhibition I am exhibiting a series of sixteen fragments of vector drawings produced over the last several years.</span></span><br />
<span style="color: #e06666;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
<span style="color: #e06666;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Nic Clear</span></span><br />
<span id="goog_409275439"></span><span id="goog_409275440"></span><br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-982878318864840612018-04-09T22:30:00.002+01:002018-04-09T22:34:38.951+01:00Market Hardware<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKT3pSE6TJI7HuhIY5z8asaLJ1kGCCa3nmQm4aIxKvnHXNjMaIcD2l7SknKyS-WemCNAtZ4Ah7l4KgZHsD0iyTzmE88qAK1PLHMoOyQuYzHMnLUQ7Hj-fgk-F2F-Cp9BcBX2O4BcN0M3g/s1600/Hardware+Poster+Final.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="842" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKT3pSE6TJI7HuhIY5z8asaLJ1kGCCa3nmQm4aIxKvnHXNjMaIcD2l7SknKyS-WemCNAtZ4Ah7l4KgZHsD0iyTzmE88qAK1PLHMoOyQuYzHMnLUQ7Hj-fgk-F2F-Cp9BcBX2O4BcN0M3g/s320/Hardware+Poster+Final.jpg" width="225" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Title: Market Hardware</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Location:Units 154 - 158, Queensgate Market, Huddersfield</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Open: 6<sup>th</sup><span class="Apple-converted-space"> </span>April – 28<sup>th</sup><span class="Apple-converted-space"> </span>April</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Market Hardware is an exhibition of current design research from the Department of Architecture and 3D Design at the University of Huddersfield. The exhibition shows a diverse approach to design research from analytical studies of existing projects, innovative product design proposals and photographic studies of hospital waiting areas and Chinese housing typologies to more speculative approaches to digital graphics, gestural representations and collage.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">All the work embodies an approach of practice based research that attempts to open up design to wider forms of dissemination avoiding the narrowly defined protocols of traditional design representation.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Exhibitors:</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;"> Nic Clear, Helen Darnell, Danilo Di Mascio, Adrian Evans, Yun Gao, Joanne Pigott-Hakim, Carl Meddings, Adrian Pitts, Penny Sykles, Ertu Unver, Hazem Ziada</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #e06666;">Curator: Nic Clear</span></span></span></div>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-35799231240656014662017-11-27T09:26:00.001+00:002018-04-09T22:33:08.654+01:00Inaugural Lecture + Exhibition<div class="separator" style="clear: both; text-align: center;">
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<br />
<b>Professor Nic Clear</b><br />
Inaugural Lecture<br />
<br />
<b>FUN: Future Urban Networks</b><br />
Thursday 30th November 2017, 6.30pm<br />
Tessa Blackstone Lecture Theatre [11_0003]<br />
University of Greenwich<br />
Stockwell Street<br />
London SE10 9BD<br />
<br />
+<br />
<br />
<b>Project Space: Selected Architectural Projects 2017</b><br />
Matthew Buckley, Iulia Cistelecan, Andrei Ciprian Cojocaru, Vlad Dumitru,<br />
De He, Sofia Kanarelli, Farid Karim, Nic Clear and Hyun Jun Park<br />
27th November to 16th December <br />
<br />
Private View<br />
7.30 – 9.30pm<br />
Thursday 30th November 2017 <br />
Project Space<br />
University of Greenwich<br />
Stockwell Street<br />
London SE10 9BDNic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-53031933861782500662017-11-22T23:19:00.000+00:002017-11-23T00:11:01.015+00:00The Underground Drawings<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">The Underground Drawings</span></span></h4>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Conventional technical drawing assumes that
the drawing is rational, functional and objective; drawings are produced to
communicate an intention, an instruction, or a clarification. These drawings question those conventions and protocols, these drawings are not
rational or functional they are gestural and playful and what they communicate
is expressive rather than pragmatic. The starting point of the drawings were
the five chapter titles of Marko Jobst's text; Object; Space; Interior; Image; Movement,
mapping out the themes that the text evoked selecting the station layouts and
references that resonated with the ideas that that the text alludes to. The
drawings were principally made by overdrawing axonometric projections from
London Underground that show the organisation and layout of individual
stations, the stations. It should be stressed that the original drawings made
by London Underground are themselves a fiction edited to show only principal
circulation and abstracted to avoid the complexities of the subterranean system
they are part of. The overdrawing is
performed in a loose gestural manner rather than an exact tracing, the
‘inaccuracies’ are further distorted be stretching and rescaling to fit the
drawing frame. Different pairs of drawings were then juxtaposed against one
another. Against the main drawings other elements are composited within the
picture, some taken directly from the text or from my own readings and
interests. Specific framing devices are set within the composition as are
notational elements from the original LU drawings. The underground drawings clearly
refer to a number of other works particularly Guy Debord’s ‘The Naked City’ as
well obvious references to Bernard Tschumi’s “Manhattan Transcripts” and Daniel
Liebeskind’s ‘Micro-megas”.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">The Underground Drawings were produced for Marko Jobst's book 'A Ficto-Historical Theory of
the London Underground', published by AADR,
<a href="http://www.anagrambooks.com/a-ficto-historical-theory">http://www.anagrambooks.com/a-ficto-historical-theory</a></span></span><br />
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<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-13613257085802767342017-11-21T13:03:00.002+00:002017-11-21T13:03:40.589+00:00Nic Clear:Innovators Talk at ARUP<div class="separator" style="clear: both; text-align: center;">
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<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-74425911278418291552017-08-16T22:16:00.002+01:002017-08-16T22:16:41.442+01:00Great War Island: Desert Fictions<div class="separator" style="clear: both; text-align: center;">
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<br />
<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"> </span></span><a class="_5xhk" data-testid="event-permalink-location" href="https://www.blogger.com/null" id="u_0_e">Magacin u Kraljevića Marka 4-8</a><br />
1100 Belgrade Serbia<br />
<br />
<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show">Project concept and curation: Marko Jobst<br /> Consultant and producer: Marijana Cvetković</span></span><br />
<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show">Catalogue design: Katarina Vukoman</span></span><br />
<br />
<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"><span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show">With:
Ronnen BenArie, André Bideau, Simone Brott, Nic Clear, Hélène
Frichot, Kim Gurney, Catharina Gabrielsson, Katharine Harrison, Lee
Hassall, Carl Lavery, Chris L. Smith, Neil Spiller, Jill Stoner, Vesna
Trobec, Nicolas Whybrow, Tamir Zadok.</span></span></span></span><br />
<br />
<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"><span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show">Catalogue</span></span></span></span><br />
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<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"><span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"> </span></span></span></span><br />
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<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show">Chthonopolis Installation</span></span><br />
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<span class="_4n-j _3cht fsl" data-testid="event-permalink-details"><span class="text_exposed_show"><br /></span></span>Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-89367185051850261402017-06-01T14:56:00.001+01:002017-06-03T13:36:38.146+01:00Chthonopolis Exhibition Continues<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4zpfTlRnugrbaiX6NwvZ9sRvJu7LeAW0FHM3PGb3KSyomfXgwtXdhCfNT6n7H1u3keurMTQ0soHl59dbNhZrRofhAs0C-zFy6DZNKO_pMmELJttywMzh7U8FvcP9y6H9zOgCKWTCqhOY/s1600/07_Chthonopolis+Exhibition_Isometric_A3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="849" data-original-width="1191" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4zpfTlRnugrbaiX6NwvZ9sRvJu7LeAW0FHM3PGb3KSyomfXgwtXdhCfNT6n7H1u3keurMTQ0soHl59dbNhZrRofhAs0C-zFy6DZNKO_pMmELJttywMzh7U8FvcP9y6H9zOgCKWTCqhOY/s320/07_Chthonopolis+Exhibition_Isometric_A3.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis - 3D laser scan of exhibition</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWsrbcJ2rUvnh2lV2TaMM8ipcat5yW4I-47D68T0FkVfyYj5q8ijOJgV7yCyweoDWLVYAnO9qkhOPmMJ83tPwY89a5_YLWSAvVZV6TT67ca0WAd1bEsPoJabF3wxcgISOpeFYA_3N_zA/s1600/08_Chthonopolis_Show.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1191" data-original-width="893" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWsrbcJ2rUvnh2lV2TaMM8ipcat5yW4I-47D68T0FkVfyYj5q8ijOJgV7yCyweoDWLVYAnO9qkhOPmMJ83tPwY89a5_YLWSAvVZV6TT67ca0WAd1bEsPoJabF3wxcgISOpeFYA_3N_zA/s320/08_Chthonopolis_Show.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis model detail</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVBUfe0Cgw3NTzAppMf4XTplYtzKN6YMb7cK1wgQW9Fm69CbvR-7WnvRhWHLB9FvhGg8GzZFtmRYFnoUz_2ASsUoFluedAYO1rSeseRaYhg_jEWg84JsagzbWjFDFh4Vp_UdqfIBlQoFs/s1600/09_Chthonopolis_Show.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="893" data-original-width="1191" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVBUfe0Cgw3NTzAppMf4XTplYtzKN6YMb7cK1wgQW9Fm69CbvR-7WnvRhWHLB9FvhGg8GzZFtmRYFnoUz_2ASsUoFluedAYO1rSeseRaYhg_jEWg84JsagzbWjFDFh4Vp_UdqfIBlQoFs/s320/09_Chthonopolis_Show.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis model</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3NppVIIMCXuyRhbr4uIyGMqnWfRkcGSAoDvinA8Yvc9t_CnNyFTp4LQjCtABnsmhp04xbr6IvRGE-yFwBkMiFwGWtjZ92O3CJ8TvuIrJp2BkI971dRmK04q5QnJsU1aG3AQaqKYNlbkA/s1600/10_Chthonopolis_Show.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="893" data-original-width="1191" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3NppVIIMCXuyRhbr4uIyGMqnWfRkcGSAoDvinA8Yvc9t_CnNyFTp4LQjCtABnsmhp04xbr6IvRGE-yFwBkMiFwGWtjZ92O3CJ8TvuIrJp2BkI971dRmK04q5QnJsU1aG3AQaqKYNlbkA/s320/10_Chthonopolis_Show.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis model - detail</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi49JLFu6z3OA47RVMA1E-KjnsxfsXPcdbvnAqwyDKNs6J5Aw4uB8ux140wKSqUyUvWp1FOelzIf0m6WkCmNhCpEyhh6mxA1wzeHn29_-sl8IJ4vDn-14s3gjLpGwZmYZweuwKBnpjAEoM/s1600/11_Chthonopolis_Show.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1191" data-original-width="893" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi49JLFu6z3OA47RVMA1E-KjnsxfsXPcdbvnAqwyDKNs6J5Aw4uB8ux140wKSqUyUvWp1FOelzIf0m6WkCmNhCpEyhh6mxA1wzeHn29_-sl8IJ4vDn-14s3gjLpGwZmYZweuwKBnpjAEoM/s320/11_Chthonopolis_Show.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis model detail - central core</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZXnBr3gNdqkFcyCoe69_LRMw63Mqf-PeTcti28z1QXUY44rmu8IunK7DvFkgN6KQSy7u-WIoL684SbwSx1v_Eo46h6-TgwwcorFvyaQ_khyS98BYYsQWth05x13eooU8-1LFBc_B5r8w/s1600/12_Chthonopolis_Show.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="893" data-original-width="1191" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZXnBr3gNdqkFcyCoe69_LRMw63Mqf-PeTcti28z1QXUY44rmu8IunK7DvFkgN6KQSy7u-WIoL684SbwSx1v_Eo46h6-TgwwcorFvyaQ_khyS98BYYsQWth05x13eooU8-1LFBc_B5r8w/s320/12_Chthonopolis_Show.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;">Chthonopolis exhibition - installation view</span></td></tr>
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<br />
CHTHONOPOLIS: A NIGHT WITH NIC CLEAR<br />
<br />
Tuesday 6th June - 18.00 - 20.30<br />
Nic Clear will be talking about his new subterranean project, with a Q&A to follow. The night will play out to a curated '<a href="http://www.nicclear.com/The-Gold-Mine-Toward-A-Ludic-Architecture-2014" rel="noopener noreferrer nofollow" target="_blank">Gold Mine</a>' soundtrack, with a drinks reception.<br />
<br />
The event is free but booking essential<br />
https://www.eventbrite.co.uk/e/chthonopolis-a-night-with-nic-clear-tickets-34571604600<br />
<br />
THE FACTORY<br />
120 London Road, London SE1 6LF<br />
www.the-factory-london.org/chthonopolis<br />
<br />
<br />
<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-17513893878076613652017-05-16T22:36:00.002+01:002017-05-16T22:36:44.908+01:00Michael Hansmeyer Lecture<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_HP6khUSBdoeDmUm7z4XUkxNTM0JBbX8FF6NSJYyNb9ChWDj62pfBK3W7lAtlV3gzhLbCMyojRNwyxgBC_jsZUprYX2eB1kCwtpdR5RzBxX3OyGro5RP9REClVAMgaaZwb8BcPvFfcDY/s1600/Hansmeyer_Lectue.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_HP6khUSBdoeDmUm7z4XUkxNTM0JBbX8FF6NSJYyNb9ChWDj62pfBK3W7lAtlV3gzhLbCMyojRNwyxgBC_jsZUprYX2eB1kCwtpdR5RzBxX3OyGro5RP9REClVAMgaaZwb8BcPvFfcDY/s400/Hansmeyer_Lectue.png" width="282" /></a></div>
The Digital Grotesque II project is a human-scale, highly ornamental grotto that was specifically designed to fully exploit the potentials of large-scale binderjet sand printing. It was guided by the search for new design instruments, and by a redefinition of the role of the computer vis-à-vis the architect. A new type of topological subdivision algorithm was devised that allowed not only the deformation and articulation of surfaces, but also the successive refinement of solid volumes. An orientable surface with genus 0 can evolve into a form with a genus of thousands – a single input volume can spawn millions of branches, with hundreds of metres of surface being compressed into a 3.5m high block that forms a landscape between the man-made and the natural.<br /><br />Michael Hansmeyer is an architect and programmer who explores the use of computation to generate and fabricate architectural form. Recent projects include the Sixth Order’ installation of columns at the Gwangju Design Biennale, the ‘Platonic Solids’ series, and the fabrication of full-scale 3D printed grottos for FRAC’s Archilab exhibition as well as for Centre Pompidou. <br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-75585283134112109962017-04-26T02:03:00.001+01:002017-04-26T02:03:26.487+01:00Chthonopolis Exhibition<div class="separator" style="clear: both; text-align: center;">
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Chthonopolis <br />
<br />
Exhibition<br />
Friday 5th May - Friday 23rd June<br />
Monday - Friday 100.00am -5.30pm<br />
<br />
THE FACTORY<br />
120 London Road London SE1 6LF<br />
www.the-factory-london.org/chthonopolisNic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-38028306676249875412017-04-12T16:42:00.001+01:002017-06-12T22:13:53.367+01:00Future Cities 6<div class="separator" style="clear: both; text-align: center;">
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<img border="0" data-original-height="636" data-original-width="1191" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKyhyphenhyphenBkowVDLeHILJ-9AWxxxGc0Zgp88Aq6VWAdFW_39uvjJhjx_ylL7KJ59ukI3ZhxglDxr2q1kBXv8UtnAJq15BKcjAbiU4D1nnjKqV5UX-zVUUwI6LUTQ5l2cxLySCmOXF9XM2Jh8c/s320/FutureCities6_01A3_72dpi.jpg" width="320" /></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: white;">Future Cities 6 Exhibition</span></td></tr>
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<span style="font-size: small;"><span style="color: #e06666;"><i><span lang="EN-US" style="font-family: "arial"; line-height: 115%;">Future Cities 6</span></i><span lang="EN-US" style="font-family: "arial"; line-height: 115%;"> will be
the sixth AVATAR (Advanced Virtual And Technological Architectural Research)
conference hosted by the Department of Architecture and Landscape held at the
University of Greenwich. This
year the theme of the conference will centre on <i>The Marvelous </i>and asks what creative opportunities architectural
design in the twenty-first Century offer and how it is possible to work with
such tensions. It also raises questions about how we may deal with the nature
of ecology, urban environments and an increasing global society – which are all
composed of many different, often contradictory bodies.</span></span></span></div>
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<span style="font-size: small;"><span style="color: #e06666;"><span lang="EN-US" style="font-family: "arial"; line-height: 115%;">Accompanying the conference is an
exhibition in the Stockwell Street Project Space featuring works by five of the
participants. Keynote speaker Michael Hansmeyer is exhibiting prints of his
dazzling 3D ‘Digital Grotesques’ that are currently part of the ‘Printing the
World’ exhibition at the Centre Pompidou in Paris, Hansmeyer is also exhibiting
a video specially commissioned for the Pompidou show. ‘You and Pea’ are a young
London based architectural design practice of Sandra Youkhana and Luke Casper
Pearson who are showing their highly exuberant Tokyo IRTBBC project. Dr Shaun
Murray is showing some of the extraordinary drawings that were recently part of
an exhibition at the Lightroom Gallery at Carleton University in Ottawa Canada.
Professor Neil Spiller will be exhibiting more staggering works from the ‘Communicating
Vessels’ project and Nic Clear will be showing a series of new works,
‘Dreamspaces’, studies for his Chthonopolis Project that will shortly be
featured at the ‘The Factory’ gallery London..</span></span></span></div>
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<span lang="EN-US" style="font-family: "arial"; font-size: 14.0pt; line-height: 115%;"><span style="font-size: small;"><span style="color: #e06666;">Friday 21st April 10.30am - 5.00pm </span></span></span></div>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-17202771086204123152016-11-21T22:01:00.001+00:002017-06-05T23:27:36.619+01:00Jan Kaplický drawings<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: xx-small;">All photographs Robbie Munn</span><br />
<span style="font-size: xx-small;"><br /></span>
<span style="font-size: xx-small;"><span style="font-size: small;">Photographs of the Jan Kaplický exhibition currently on in the Stephen Lawrence Gallery. Last week I had the pleasure of showing David Nixon, Eva Jiricna and Ivan Margolius around the exhibition they seemed to enjoy it - which was a real relief.</span></span><br />
<span style="font-size: xx-small;"><span style="font-size: small;">Many thanks to everyone who helped install it - unit 15, my third year dissertation group, the gallery staff and especially Hyun.</span></span><br />
<br />
<span style="font-size: xx-small;"><span style="font-size: small;">Exhibition continues until 16th December, see previous post for details. </span></span><br />
<br />Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-14866353862314555402016-11-07T22:26:00.000+00:002016-11-07T22:26:31.875+00:00Jan Kaplický drawings<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
This exhibition commemorates Jan Kaplický, who was one of the most
gifted and visionary architects working at the end of the 20th and the
beginning of the 21st century. His death in 2009 at the age of 71 robbed
the world of a designer whose virtuosity was only just coming to wider
public attention, having been a benchmark in the world of architecture
for nearly three decades.<br />
His trademark ‘futuristic’ style was formed from the intersection of
the bold elegance of Czech modernism, the sweeping lines of the Baroque
and intricacy of the exploded technical diagram. His work moved beyond a
simple categorisation as High Tech into a realm where technology was
both a utopian image and absolute fact.<br />
Kaplický always felt that drawings were the epitome of the ‘decisive
creative act’ and the care and intricacy of his drawings show the
workings of a man who was passionate in the pursuit of precision.
Produced before the rise of computer aided drafting (CAD), the
complexity of form and the delicacy of line are astonishing, and coupled
with a wit and originality around programme and a genuine commitment to
an ethical use of technology and materials. Kaplický’s works represent a
liberating and joyful approach to architecture.<br />
The exhibition re-presents material from a book published last year
by Circa Press, featuring Kaplický’s most iconic projects produced on
his own and in collaboration with Future Systems partners David Nixon
and Amanda Levete. The book is an exquistive testimonial to a man whose
quest for a synthesis between technology and form was manifest in the
detail and care that are apparent in every line. The drawings are
presented at various scales to communicate Kaplický’s obsessions and to
demonstrate to a generation brought up on CAD that the complexity of an
idea may be found in the economy of lines and not solely in their
abundance.<br />
<br />
The exhibition has been designed and curated by Nic Clear, Head of
Architecture and Landscape at the University of Greenwich and a long
time Kaplický fan.<br />
<br />
<br />
<div style="padding-left: 30px;">
University of Greenwich Galleries</div>
<div style="padding-left: 30px;">
Stephen Lawrence Gallery</div>
<div style="padding-left: 30px;">
11 Stockwell Street</div>
<div style="padding-left: 30px;">
London SE10 9BD</div>
<div style="padding-left: 30px;">
<br /></div>
<div style="padding-left: 30px;">
http://www.greenwichunigalleries.co.uk/jan-kaplicky-drawings</div>
<div style="padding-left: 30px;">
<br /></div>
<div style="padding-left: 30px;">
<br /></div>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.comtag:blogger.com,1999:blog-1265777693762874828.post-73437863625910536552016-10-05T00:35:00.000+01:002017-06-12T22:18:50.918+01:00Post – Continuity Architectures: 21st Century Follies and Fun Palaces<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #e06666;"><span style="font-size: small;"><i><span style="font-family: "calibri";">The sequence becomes a jagged collage
of fragments of explosions, crashes, physical lunges, and violently accelerated
motions. There is no sense of spatiotemporal continuity; all that matters is
delivering a continual series of shocks to the audience.</span></i></span></span></div>
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</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><i><span style="font-family: "calibri";">Steven Shaviro</span></i></span></span></div>
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</span><span style="font-size: small;">
</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><i><span lang="EN-US" style="font-family: "calibri";">(Note to architects: You
thought that you could ignore Junkspace, visit it surreptitiously, treat it
with condescending contempt or enjoy it vicariously . . . because you could not
understand it, you’ve thrown away the keys . . . But now your own architecture
is infected, has become equally smooth, all-inclusive, continuous, warped,
busy, atrium-ridden . . . )</span></i></span></span></div>
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</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><i><span lang="EN-US" style="font-family: "calibri";">Rem Koolhaas</span></i></span></span></div>
<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">A form of spatial disjunction has occurred
within the built environment under the rubric of neo-liberalism, physical space
has become absorbed as part of a wider set of informational and economic networks
and relations that combine virtual, augmented and mixed realities.</span></span><span style="font-size: small;">
</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">This new spatial regime requires new forms of
measurement, calibration and notation, traditional forms of orthography need to
be questioned in terms of their ability to generate, develop and represent architectural
possibilities for these mutated spaces of late capitalism.</span></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">In film, space is no longer organised around
the relationships of classical mis-en-scene, through the use of unconventional
cinematography, c.g.i and non-linear editing techniques the type of coherent, contiguous
and consistent spatial narrative is eclipsed, this has been described as
post-continuity cinema.</span></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">In his
essay “Junkspace,” which reads like a frenzied stream-of-consciousness SF
story, Rem Koolhaas creates a vivid indictment of a culture trapped by its own
hubris, technological addiction, and vapidity. </span><span style="font-family: "calibri";">Junkspace
is both fragmented and homogeneous, it is lacks continuity and is at the same
time ubiquitous and in it we are completely surrounded and yet totally alone.
Junkspace describes a form of post-continuity architecture.</span></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">To combat the totalities of Junkspace, and to
immerse ourselves in it, Unit 15 will be engaging with a landscape of flows and
spaces of desire through the deployment of multiple vectors, exemplified by the
nefarious world of the Architectural Folly and the scurrilously irreverent Fun
Palace. These vectors will be organised and curated into an exhibition to be
part of next years London Festival of Architecture located in and around the
Old Royal Naval College and the Queens House.</span></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><br /></span></div>
<span style="color: #e06666;"><span style="font-size: small;"><b><span style="font-family: "calibri";">Stage 1: 21<sup>st</sup> Century Follies</span></b></span><span style="font-size: small;">
</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">Unit 15 will create 21<sup>st</sup> Century
Architectural Follies based on the literal interpretation of their own drawings.</span></span></span></div>
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</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><b><span style="font-family: "calibri";">Stage 2: 21<sup>st</sup> Century Fun Palace</span></b></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">Unit 15 has agreed to take part in PolyArk 4
run by the RIBA and linking over 30 International Schools of Architecture.</span></span></span></div>
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</span></span><br />
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<span style="color: #e06666;"><span style="font-size: small;"><b><span style="font-family: "calibri";">Stage 3: 21<sup>st</sup> Century Representations</span></b></span><span style="font-size: small;">
</span></span></div>
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<span style="color: #e06666;"><span style="font-size: small;"><span style="font-family: "calibri";">Unit 15 will curate and exhibit their work in
the University of Greenwich Heritage Gallery next June as part of the London
Festival of Architecture</span></span></span></div>
Nic Clearhttp://www.blogger.com/profile/09629774556249973710noreply@blogger.com